Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score)


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Symphonies

Examples of his earliest works are those found in Nannerl's Music Book. Between and he wrote 20 works for piano solo including sonatas, variations , fantasias , suites , fugues , rondo and works for piano four hands and two pianos.

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He also wrote for piano and violin. Note the order of the two instruments: for the most part, these are keyboard-centric sonatas where the violin plays a more accompanying role. In later years, the role of the violin grew to not just a support to the other solo instrument, but to build a dialogue with it.

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The 'Violin Sonatas', KV , are unique in that they include an ad lib. The string quintets K. Charles Rosen wrote that "by general consent, Mozart's greatest achievement in chamber music is the group of string quintets with two violas. The production for instrumental ensembles includes several divertimenti , cassations , notturni, serenades , marches , and dances , a quodlibet , besides, of course, his symphonies.

Mozart's production for orchestra is written for string ensembles like the early Divertimenti K. Three Milanese Quartets called "Divertimento":. In his production of minuets, Mozart generally followed Haydn's example, preferring the slow character of the dance. Allemandes written between and were mainly for public balls in Vienna.

In the Contredanse production, also written mainly in Vienna, some examples of program music are found, like Il Temporale , K. Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the Sonate da Chiesa for 2 violins, double bass and organ, composed between and His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint , and even operatic elements can sometimes emerge.

Stylistic unity and consistency is present over all his sacred music work. Three settings of the Marian antiphon Regina coeli :.

Church Sonata in C major, K.278/271e (Mozart, Wolfgang Amadeus)

Sinfonia Concertante por Violin, Aldviolono kaj orkestro. Main article: List of solo piano compositions by Wolfgang Amadeus Mozart.


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  • Church Sonata in E-flat major, K.67/41h (Mozart, Wolfgang Amadeus).

Sinfonia Concertante por Violin, Aldviolono kaj orkestro. Main article: List of solo piano compositions by Wolfgang Amadeus Mozart.


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This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. March Learn how and when to remove this template message. See also: Mozart and dance. Minuet 7 Menuets, K. Menuet in D major, K. Symphonic Minuet in C major, K.

Main article: List of masses by Wolfgang Amadeus Mozart. Main article: Church Sonatas Mozart. Church Sonata No. Main article: List of operas by Mozart. Main article: List of concert arias, songs and canons by Wolfgang Amadeus Mozart. Main article: Mozart and Freemasonry. Classical music portal. Journal of the Royal Musical Association.

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ISSN OCLC This sonata, like K. Mozart copes admirably with the resonant cathedral acoustics, allowing chord to build on chord in the loud passages. The chief harmonic interest is reserved for the soft passages for strings alone.

Origin: Salzburg, March? Two years passed between the composition of sonatas K.

How Mozart's compositions are listed

The final church sonatas reflect a new maturity, a firmer mastery of structure and contrast, a greater emotional depth. It seems fairly certain that K. It dates from the same time, the key is the same, and the instrumentation is identical, including the two horns that were rarely employed in Salzburg Cathedral. Two oboes, two trumpets, and timpani are also added to the string band. The organ part is elegantly written, and the mood is of grandeur and majesty, perfectly matching that of the Mass. Origin: Salzburg, early?

Although there are no wind instruments in K. The busy violin parts demand both virtuosity and lyricism, as Mozart explores corresponding moods of both jubilation and contemplation. The organ adds considerable brightness of color. Origin: Salzburg, early Scoring: 2 violins, basso continuo, organ obbligato.

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The writing of this sonata is thoroughly assured. The development section is especially interesting, with cellos and double basses toying busily with the rhythmic figures of the opening. There are striking contrasts of mood and texture.

Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score) Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score)
Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score) Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score)
Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score) Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score)
Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score) Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score)
Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score) Sonata da Chiesa No. 6 in B-flat Major, K212 (Full Score)

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